Blog Archive
-
2012
(103)
- June(6)
-
May(37)
- Worth Fighting For still climbing!
- 5 Stars for Gold Coast Wives
- 5 Flowers for Gold Coast Wives
- What's Hot? Review - Gold Coast Wives
- Amazon bestseller lists! 05.27.2012 edition
- Memorial Day sale!
- The DeAubrey Digest declares Mariposa "An Amazing ...
- 5 Stars for SW Vaughn's Hunted
- Meet the author Cassiel Knight
- Mariposa by C.L. McCullough
- Dreaming Ivy by Rhonda Lee Carver
- 4.5 Stars for Winter of the Passion Flower
- Sensual Reads Reviews The Cyberkink Sideshow
- Two Old Farts Review Khephera Rising
- 5 Star Review for Beauty in His Bed
- Two Lips Reviews The Firestorm Conspiracy
- Writing and Recipes
- Happy Mother's Day
- Nope, we're not done yet...
- Literary Nymphs Reviews Irish Dreams
- Forgive our appearance
- Lyrical is now on Pinterest
- 5-Star Review for His Mortal Soul
- Behind the Scenes at the Avalon Inn
- Night Owl Reviews ~ Worth Fighting For
- The Omegas & The Alpha - The Vanguards Boxset
- Refugees on Urloon reviewed by Romance Writers Rev...
- Worth Fighting For by Sondrae Bennett
- Thwarting Cupid by Lori Crawford
- Room For love by Sophie Pembroke
- Keir by Pippa Jay
- From the Desk of Piper Denna - Acquistions
- 5-Star Review for Fiona's Wish
- A Melancholy Humour--the beasts behind the myth
- This is From My Heart reviewed London's Calling
- New cover! MetalMark by Ella Drake
- Two Lips Reviews Morning Man
- April(35)
- March(6)
- February(12)
- January(7)
- 2011 (170)
- 2010 (143)
- 2009 (188)
- 2008 (125)
Friday, April 9, 2010
Dark Journeys
I attended World Horror Con recently, where the issue of genre labelling repeatedly came up.
A few decades ago, horror was lumped in with science fiction; it wasn’t really a genre in its own right. Then in the 1970s it seemed to fall victim to over-exposure. But for most of the 1990s horror had fallen out of such favour - at least in the UK - you could not find a separate horror section in any British book store. There was the odd book in the SF & fantasy section, and then the likes of Stephen King and James Herbert in the ‘bestsellers’ section.
Now, of course, horror is ‘in’ again, thanks largely to the sub-genre of urban fantasy.But why is there still a need to label books in this way? Most writers think of themselves just as writers, not as writers of one genre over another. As one panellist pointed out at Horror Con, writing is all about human emotions, regardless of genre. It seems to be the sales people and the book stores that are more preoccupied with labels, in order to identify which particular shelf a book should live on.
Ultimately, any book is about the journeys taken by the characters. In horror the journey might be darker than the journey taken by a character in, say, a romantic comedy, but it’s a journey nonetheless, with pitfalls and obstacles to overcome before journey’s end.
My novel SUFFER THE CHILDREN (released by LPI on 19 April) can be labelled as ‘horror’ inasmuch as there are some fairly classic conventions there. The main plot involves the protagonists working out how to stop the supernatural creature that has been claiming victims. However, the main character, Leanne, also undergoes her own personal journey, one that’s far more grounded in the real world. Leanne is an emotionally damaged young woman who after years of neglect has learned to shut everyone else out as a defence mechanism. As the story unfolds, she struggles to come to terms with the fact that she must let down the barriers she’s erected over her heart and let in the family who want to love her.
I meet a lot of people who say horror isn’t their thing, but so many characters in horror novels are ordinary people, people we can all identify with, in extraordinary situations. I remain optimistic that we are moving towards overcoming this prejudice that still seems to exist towards the genre of horror, and it will one day become a genre that will speak to us all, and the journeys we take in our lives.
A few decades ago, horror was lumped in with science fiction; it wasn’t really a genre in its own right. Then in the 1970s it seemed to fall victim to over-exposure. But for most of the 1990s horror had fallen out of such favour - at least in the UK - you could not find a separate horror section in any British book store. There was the odd book in the SF & fantasy section, and then the likes of Stephen King and James Herbert in the ‘bestsellers’ section.
Now, of course, horror is ‘in’ again, thanks largely to the sub-genre of urban fantasy.But why is there still a need to label books in this way? Most writers think of themselves just as writers, not as writers of one genre over another. As one panellist pointed out at Horror Con, writing is all about human emotions, regardless of genre. It seems to be the sales people and the book stores that are more preoccupied with labels, in order to identify which particular shelf a book should live on.
Ultimately, any book is about the journeys taken by the characters. In horror the journey might be darker than the journey taken by a character in, say, a romantic comedy, but it’s a journey nonetheless, with pitfalls and obstacles to overcome before journey’s end.
My novel SUFFER THE CHILDREN (released by LPI on 19 April) can be labelled as ‘horror’ inasmuch as there are some fairly classic conventions there. The main plot involves the protagonists working out how to stop the supernatural creature that has been claiming victims. However, the main character, Leanne, also undergoes her own personal journey, one that’s far more grounded in the real world. Leanne is an emotionally damaged young woman who after years of neglect has learned to shut everyone else out as a defence mechanism. As the story unfolds, she struggles to come to terms with the fact that she must let down the barriers she’s erected over her heart and let in the family who want to love her.
I meet a lot of people who say horror isn’t their thing, but so many characters in horror novels are ordinary people, people we can all identify with, in extraordinary situations. I remain optimistic that we are moving towards overcoming this prejudice that still seems to exist towards the genre of horror, and it will one day become a genre that will speak to us all, and the journeys we take in our lives.
Labels:
characters,
genres,
Horror,
journeys,
Sara-Jayne Townsend,
Suffer the Children
Subscribe to:
Post Comments (Atom)
Want to review for Lyrical?
Are you a reviewer who would like to receive Lyrical's ARCs for your blog, website, or news outlet? Email Pam at reviews@lyricalpress.com.





4 comments:
Well said, Sarah-Jayne.
I'm a horror lover from way back and couldn't agree with you more. A good horror novel is always an exciting ride, regardless of the outcome. Besides, reality is quickly surpassing even the most graphic horror books, so I just don't get people who sit back watching the six o'clock news but shy away from a good horror novel.
Suffer the Children sounds great, and I wish you much success with it!
Rita.
Great post! I, too, hear people often say that horror isn't their thing. But when you peel away the dark, sticky layers, the horror genre is a fantastic way to show the best and worst of human emotions - and everything in between. In fact, the only way I approach my own horror writing is through an almost fanatical focus on the characters' emotional journey and their humanness. To me, how characters react to their horrific situation is much more compelling than just a scary demon or two. Thanks for sharing!
Sometimes the labels give the wrong idea and readers miss out. Horror's one of those labels that people just have so many preconceptions about. I still have friends who won't read Stephen King because he writes horror.
Nice post, thanks for sharing this wonderful and useful information with us.
Green Tea